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The first season of the animated superhero series developed by
Bruce Timm ("Batman: The Animated Series") for the Cartoon Network lands on the
high-definition standard for home video. This is no happy-go-lucky group of
"Super Friends" saving the world with a smile and chummy sense of togetherness.
Choppy relationships, clashing personalities (the grim Green Lantern;
happy-go-lucky jester the Flash; grim, haunted Martian Manhunter; and, of
course, loner Batman) and lots of suspicion make these teammates a contentious
group. Each adventure spans multiple episodes, giving the series a scope larger
than most such shows. Among the stories in the debut season: the three-part
pilot "Secret Origins" that establishes the fellowship; "In Blackest Night,"
with Green Lantern on trial for destroying a planet; "The Enemy Below," in which
the Justice League clashes with Aquaman (reborn as a warrior king and looking
more like Neptune than the genial version in old comics and cartoons); "Paradise
Lost" with Superman, Flash, and Martian Manhunter helping Wonder Woman save her
Amazon home; "War World" with Superman and Martian Manhunter captured by aliens
and sent to the gladiator planet; and the three-part season finale "The Savage
Time," in which they travel back in time to World War II and team up with Sgt.
Rock to stop the villain Vandal Savage from changing Earth's history.
All
26 episodes on three discs; plus, commentary on three episodes by producers
Timm, James Tucker, Glen Murakami and Rich Fogel and director Dan Riba; and
bonus featurettes. The series creators discuss the development of the show in
the panel discussion taped for "Inside Justice League," and "The Look of the
League" explores the production design. Also features storyboards, a
never-before-seen promo and a music video.
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| Maximum Risk |
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Jean-Claude Van Damme was never much of an actor, but he had a
good head for choosing directors. He followed John Woo's American debut, "Hard
Target," by bringing over another Hong Kong action superstar, Ringo Lam, a
director with a grittier, edgier, less epic approach to action cinema. "Maximum
Risk" is the kind of solid B action thriller that the American cinema used to be
so good at producing, a lean thriller that casts Van Damme as a cop from Nice
who finds out that a recent murder victim was a twin brother he never knew, then
sends him to New York and back to find his brother's killers. Van Damme still
isn't much of an actor, but Lam strips his performance down to an austere focus
and makes him an efficient, fierce dynamo of a scrapper. Natasha Henstridge
provides the personality as the tough American girl who loved his brother and
ends up on the run from the Russian mob and corrupt FBI agents trying to kill
them both. Lam keeps the story tight and the action taut, building to an
impressive conclusion in which half a dozen characters make their move in a
chaotic crowd. Jean-Hugues Anglade, Zach Grenier and Paul Ben-Victor co-star. No
supplements beyond the usual trailers.
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| Lonesome Dove |
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The American Western, once a vibrant film genre but long out of
favor on the big screen, found a new home on TV in the late 1970s. This
magnificent miniseries, adapted from a sprawling novel by Larry McMurtry (who
had originally developed the story as a big-screen last hurrah for John Wayne,
James Stewart and Henry Fonda), is arguably the greatest TV Western ever made.
Robert Duvall and Tommy Lee Jones saddle up as aging cowboys and former Texas
Rangers Gus McCrae and Woodrow Call with easy authority for one last big cattle
drive from Texas to Montana. They take the reins of a posse of dynamic
characters on their odyssey through the gorgeous landscape of the American
Southwest, battling horse thieves, angry Indian tribes, and a renegade
half-breed killer named Blue Duck (Frederic Forrest) along the way. Robert
Urich, Anjelica Huston, Danny Glover, Ricky Schroder, Diane Lane, Chris Cooper
and D.B. Sweeney co-star in supporting (but by no means small) roles. The
miniseries proved to be the ideal format for the story. Australian director
Simon Wincer gives it a grandly epic feel and visual sweep while capturing an
engrossing intimacy with leathery authenticity. The Western's finest hour (or
rather, eight hours) on television, this cattle drive epic won seven Emmy Awards
and spawned sequels, prequels, a TV series, and a veritable cottage industry of
McMurtry TV Westerns.
The 1989 miniseries was produced in the squarish
Academy aspect ratio of all TV shows of its era but the Blu-ray release has been
mastered in the wide-screen ratio of HD TVs. It looks like it was made for the
format and the wide-screen image emphasizes the scope of the landscape. The
picture is generally sharp and clear, though it reflects the limitations of its
source material, such as film grain from a faster stock than is generally used
for feature films, and there's minor video noise in some scenes. The set
features the 1991 documentary "The Making of an Epic," archival interviews with
the cast and with novelist McMurtry, and original sketches and concept drawings.
New to this release is a retrospective interview with Wincer looking back on the
production and giving his blessing to this new wide-screen release.
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| The Hunt for Red October/The Jack Ryan Chronicles |
Alec Baldwin was the original screen incarnation of novelist Tom
Clancy's CIA analyst Jack Ryan, a desk man who finds himself thrust into the
field when a Soviet commander (Sean Connery) hijacks a Russian sub. The nuclear
submarine ends up under fire from both sides until Ryan convinces the Americans
of the Russian rebel's true intentions: He's defecting and bringing a military
prize with him. John McTiernan turns the sprawling novel into a riveting
thriller and a solid screen adventure. The Blu-ray debut features the director
commentary and documentary featurette "Beneath the Surface" that were originally
produced for the DVD special edition of the 1990 hit. All four Jack Ryan
military thrillers are released on Blu-ray this week. Harrison Ford took over
the role, playing an older Ryan with a family at stake in " Patriot Games," directed by Phillip Noyce. Retired from the
CIA, he thwarts a terrorist attack on the royal family while on vacation in
London and is forced to rejoin the agency to protect his family (Anne Archer and
little Thora Birch). Director Noyce and star Ford are back for " Clear and Present Danger," where desk man Ryan goes into the
field to rescue covert agents (including a memorable Willem Dafoe) abandoned by
a government unwilling to risk revealing their illegal dealings. James Earl
Jones plays his boss in all three films. After a break of about a decade, " The Sum of All Fears" takes the series back in time (sort
of) to give us a younger Ryan (played by Ben Affleck) just starting out as an
analyst under the tutelage of CIA director Morgan Freeman. And what a crash
course he gets when neo-Nazi terrorists plot to make the cold war hot with a
terrorist attack made to look like a Russian first strike. The latter features
two commentary tracks and a handful of featurettes.
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| The Mummy |
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Leave it to Stephen Sommers to create an action movie out of the
sleepiest of monster movie icons. Under his direction, "The Mummy" becomes a
comic escapade through a yesteryear Egypt right out of the Hollywood adventure
movies of old, but with a modern sensibility. Brendan Fraser is a bit callow as
the wise-guy soldier of fortune who teams up with a cute librarian (Rachel
Weisz) and her reckless gambler brother (John Hannah), and the script is almost
too tongue-in-cheek for its own good. But Sommers' thrill-a-minute cliffhanger
is a tribute, a parody, and a high energy period adventure all in one, and the
mummy Imhotep (incarnated by Arnold Vosloo when he's not an elaborate digital
effect) is a veritable walking plague.
In anticipation of a new sequel,
Universal has released all of the Sommers-produced Mummy movies in Blu-ray
editions. The Rock joins the cast of "The Mummy Returns" as the ancient warrior
demon Scorpion King, but his role is brief and the film is stolen by a feral
army of chattering, hopped-up pygmy Gremlin-like mummies. Where "The Mummy
Returns" is a pulp update of old Hollywood action movies, a wise-guy "Raiders of
the Lost Ark" by way of "Gunga Din," the subsequent "The Scorpion King" spin-off
is more of a brawny barbarian adventure, with The Rock dropped into the sands of
ancient Egypt with a wicked cutlass and a heavy arsenal of quip and flip
wisecracks. Chuck Russell directs with breathless action, borderline camp
comedy, and high-tech flair. If it's not exactly exciting, it's at least fast,
furious, slick fun. In addition to the featurettes and commentaries and deleted
scenes previously available on DVD, the Blu-ray releases feature an exclusive
"U-Control" function, a kind of intermittent audio-visual commentary track where
you can access picture-in-picture interview clips and behind-the-scenes footage.
Each disc also includes a free ticket (up to $7.50 in value) for the theatrical
film "The Mummy: Tomb of the Dragon Emperor."
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In addition to his regular contributions to MSN Movies, Sean Axmaker is a
film critic for the Seattle Post-Intelligencer and a DVD columnist for MSN
Entertainment. He is also a contributing writer for GreenCine.com, Turner
Classic Movies Online and Asian Cult Cinema, among other publications.
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Get Smart! Please!In honor of bumbling Maxwell
Smart, a brief history of our favorite clueless detectives On the RocksWith 'Iron Man' and 'Hancock' featuring
heavy-drinking protagonists, we reflect on the most memorable drunks in movie
history UnclassicsThough they may be listed among the
greatest films of all time, these 10 movies deserve to be
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